In Coralie Fargeat's new feminist horror film The Substance, damaging social charm requirements are the real creatures. They (women objectification, the disposal of "the old," the spread of an industry built on body adjustment) feed a beast of a cycle that leads Demi Moore's fading television individuality character Elisabeth https://clea2025.kylieblog.com/30480184/margaret-qualley-the-substance-2024