In Coralie Fargeat's new feminist horror film The Substance, dangerous societal charm criteria are actually the real monsters. They (female objectification, the disposal of "the old," the proliferation of a market built on physical body customization) nourish a monster of a cycle that leads Demi Moore's fading television personality https://alan-aldasites.gigswiki.com/5131776/margaret_qualley_the_substance